In steely gravely tones, If Today Was Your Last Day really hits the reality spot. It preaches a message that desperately needs to be heard in today’s quite false “plastic” life of material temptation and riches, video games and virtual friendships-the postmodern romance. If today was to be our last day on earth would that change our perspective? That’s a rhetorical question, of course!
Saying goodbye to yesterday seems to be a prevailing theme in living genuinely for today. How hard would it be to live as if today was really our last day? Would we finally start to do the things we’ve put off, like forever? Would we forgive our enemies, seeing finally the banality of any differences we might have with them?
It appears to me there’s a lot of luck involved in life and whether we live or die, now, yesterday or tomorrow… or fifty years from now. Yeah, sure, some of us attribute to God everything, but if today was my last day, that’s the fact of relevance, nothing more. I’ll meet God, finally, sure, but what about those final opportunities I had… what about them?
If today was your last day
And tomorrow was too late
Could you say goodbye to yesterday?
These words of the lyric of Nickelback’s song have a hauntingly eternal and inescapable feel about them. It forces us into a corner of fast, obdurate introspection. God has us where he likes us, thinking about the things of truth, light, life, love and legacy.
It seems maddening, however, that most people will inevitably walk the other way refusing to own up to the fact of their very existence. The lights of life are dimmed and the mood’s subdued and padded by pleasure and ease. It’s ironical that this is the backdrop that provides all our relational problems; a setup where our yesterday’s and tomorrow’s hold us captive to the ever beckoning nothing.
If today was your last day… ‘As if,’ I hear you say… Let’s not be so sure!
The first-ever animated cartoon from the Soviet Union was made by none other than the avant-garde director Dziga Vertov. In this earlier cartoon, Soviet Toys (1924), Vertov toys with the idea of a Soviet Christmas, free from all capitalist oppression.
The film depicts the avaricious bourgeois and a transitional period in the Soviet state; under the New Economic Policy (NEP), a limited form of enterpreneurship was allowed. Here the side effects of this liberallist policy need to be overcome by a strong cooperative proletarian effort.
Soviet Toys (1924) animated cartoon
Production Co.: Goskino
Director: Dziga Vertov
Writer: Dziga Vertov
Dziga Vertov is best known for his dazzling city symphony A Man with a Movie Camera, which was ranked by Sight and Sound magazine as the 8th best movie ever made. Yet what you might not know is that Vertov also made the Soviet Union’s first ever animated movie, Soviet Toys.
Consisting largely of simple line drawings, the film might lack the verve and visual sophistication that marked A Man with a Movie Camera, but Vertov still displays his knack for making striking, pungent images. Yet those who don’t have an intimate knowledge of Soviet policy of the 1920s might find the movie — which is laden with Marxist allegories — really odd.