Should one fear of student loan?

It is true that media has played its important role to figure out the pros and cons behind this rise in tuition fees as well as in the real estate sector that hit the UK Student Accommodation by renting point of view badly. But again it is also true that students are still full of wishes to attend the university to fulfill their ambitions. Although they are experiencing an unwanted environment of getting loans in their bucket as a burden but they are hopeful they would have their road to success and in future they would be able to put this burden off.

So adopting an encouraging behavior below are some points I am going to share and they would discuss mainly about the students financial conditions and their chance of gaining an advantage by pursuing student loans and scholarships.

Poor Students hanged by Poverty Sling:

Poor poor students from lower income backgrounds are always proclaimed unfortunate by birth. Unlucky days for them when the institution announced of increasing their fees slab that draw the red line for the poor’s and throw them behind the bars. Universities charge more than £9,000 a year which does not permit the poor students to get higher education not even allows them to think of it.

Somehow the mirror always has another side too which means the opposite figure is quite diverse from the first one. Hiking up the institution does not mean that universities have changed their policies so does the government about education. No matter the lowest university fees is about £9,000 but they also have projected an increase in the financial support funds too to support currently crushed student after increasing fees.

Adding more, not only the universities are playing a positive role by supporting the poor students financially but the government is also. The leading role is of the government, National Scholarship Programme encourages the students to hit the hammer on the high fee slab peg.

Getting Loan and you would hang on the wall for ever:

Getting loan is not an easy bite to take, it is quite hard to have but paying loan is too hard to crush the spoon by your teeth. Sometimes it is really hard to put off the burden of the actual amount you have got as a loan and the interest plays a horrific role as well. Both the actual amount and the interest follow you for the rest of your life and do not mercy upon you till your death. So too difficult to negotiate on, although government has set terms and conditions for the financial institutions about calming the loan but still debt is debt you would have to pay it by all means.

Unbeaten Loan Policies:

As said above approving loan is not an easy task, the recent year’s survey reports by the National Student Money Survey has revealed that it is hard for more than 5.5 percent students to understand the returning policies. That clearly means the policies are too hard to understandable for the students how to repay their loan which cites that quite a good number of students of about 5.5 percent would leave their decision of applying for a loan due to the incapability of being understanding the repayment policies.

Providing handy information to the students who understand and those who do not understand the myth of returning policies is that government has set the policies that after completing their graduation the students would then start repaying their loans if their annual salary would jump over £21,000.

So the over loop is that loans are not as horrified as they supposed to be. The students are moving forward for getting advantages by asking for a loan to complete their education in hope of repaying their loans and would be able to touch the acme.
ADU BANTENG
Beats Antique + CloZee • New Mountain AVL
Beats Antique bring their unique + eclectic electronic experience to the New Mountain Amphitheater on Friday, June 30th. Stay tuned for a very special afterparty announcement!!! • More about Beats Antique • Celebrating its tenth anniversary with its tenth studio release, the Bay Area’s wildly innovative performance dynamo Beats Antique emerges from the studio with a brand new album and stage show to mark the milestone. With legendary sets at some of the most iconic venues and festivals around the world and collaborations with superstars from Les Claypool to Bassnectar, the next chapter in the trio’s story takes them back to a mysterious world. When multi-instrumentalists David Satori and Tommy Cappel and choreographer Zoe Jakes dove into development of the new Beats Antique era, the concept of Shadowbox emerged. Driven by the infinite wonders of the deceptively simple design, the narrative of shadows and light, of darkness and contrast, of reality and surreality propelled the music and vision into new territory. Capturing the heart of the Beats Antique sound means skirting that divide between the electric and the acoustic. Balkan melodies strung over crashing cymbals and marching band horn lines run smack into contemporary electronic grooves. It might be the drums and brass or the sweeping psychedelic strings that will take you for a ride down the rails of a steampunk circus. It’s chaos and cacophony on a very tight leash. All three members shared production duties to harness the sound they first stumbled upon a decade ago: far east meets wild west. Bringing in sarod master Alam Khan (son of Ali Akbar Khan) Jakes was able to take her study of Indian classical dance from the stage to the studio. Russian singer Tatiana Kalmykova resurrected an ancient folk language to evoke a haunting fairy tale that feels at home in the shadows. Beats Antique also recruited rising stars of brass house TOO MANY ZOOZ for the horn-fueled funk and punk central to their sound. As always, Tommy Cappel focused his efforts on the beats and bass production, while David Satori assembled an armory of stringed, plucked, and bowed instruments from far-flung lands to adorn the low-end foundation. All samples were created live in the studio—a hallmark of the lush warmth of a Beats Antique record. The Shadowbox stage show will be teased at Red Rocks and Electric Forest before its full unveiling this fall. Taking the theme of shadow play and expanding the concept forward and backward in time, the core members dove deep, influenced by ancient practices of Indonesian shadow puppetry, falling into the world of wayang kulit, the eons long tradition of storytelling where epic tales unfold into the wee hours of the morning. Enormous lanterns adorn the stage, casting light upon a maze of curtains where playful new characters dance and fight and rejoice and mourn. Beats Antique is breaking the boundaries of conventional wisdom. Why can’t an electronic music performance encompass a range of emotion? This isn’t a nuclear-powered laser light show from the ever-intensifying optical arms race of the EDM industry. This is one of the earliest methods of storytelling brought from the past into the present. “The digital is there to enhance the analog,” notes Jakes. “We’re here to tell a story,” Satori adds. Bringing an album from the shadows of the studio to the brightly lit stage is what Beats Antique does best. These are storytellers for a digital age—equipped with the newest technology and ancient traditions. This is where the Beats meet the Antique.

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ADU BANTENG